Pro Tools 12 HD
ProTools HD, this is currently version 8 of the software. The machine is equiped with 5 total proccessing cards which makes it possible to record large scale projects in high definition. The machine is equipped with Digidesign Massive Pack 7, URS everything bundle, all McDSP plugins, Focusrite plugins, Eventide plugins, Digidesing plugins and many more.

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Converters
The studio is equiped with a Lynx Aurora16 with digi LT-HD card as well as 4 SRC2496 stereo converters. These converters enable the studio to record 24 tracks simultaniously in HD with high end conversion and are the critical link in digital recording. These are very clear, with no added color.

Mic Preamps
-API +3124 4 Channel API 3124 copy with Cinemag transformers.
-Redd47 2 Channel.  
     *This is a point to point wired copy of the legendary EMI tube console
       from Abby Road recording studio.
-Digidesign PRE remote control 8 channel mic pre with total recall. 

Outboard Gear
-Rupert Neve Design 5043 stereo VCA compressor
-Pultec EQP-1A clone
-SSL-G buss compressor
-1176 G compression
-UBK Fatso Compressor.

Cascade Fathead II ribbon mics with Lundhal transformers (2)
A really nice pair of ribbon mics that simply sound great.

Piano/Keys
-Gulbransed upright piano
-Hammond C2 organ
-Wurlitzer 200a electric piano
-Fatar 88 key midi controller
-Oberheim Xpander synthesizer

Drums
-Ludwig brass supraphonic 14x5.5
-Rogers superten 14x6.5
-Peavey RadialPro 751 5 piece drum set (14 snare 12,14,16 toms, 22kick)
-26" kick (converted marching band drum)
-Concert bass mallet, soft and medium mallets.
-Various shakers, tamborines and auxiliary procussion

CAD M179 (5)
These mics sound amazing, are easy to position, and have very pleasing sound leakage.  As a sonic upgrade from the Sennheiser 421, the CAD M179 is much more equipped to handle large drumsets.

Mics
Innertube Audio MM-2000. The Mag Mic
The MM2000 is hand made and is similar in use to a well maintaned vintage AKG C12.  This is an extreemly virsitle mic and always lends a very flattering sound to the source. 

Groove Tubes GT44 (3)
These mics are aggressive when hit with high SPLs which makes them a great choice for drum overheads and guitars when you are looking for a forward rock sound.  At lower levels they are great with many sources including acoustic guitar. The Cardioid and Omni caps are available. 

Virtual Instruments
-Maschine
-Massive
-Guitar Rig 4
-Reaktor 5
-Kontakt 4
-FM8
-Absynth
-Battery 3
-Digidesign Hybrid
-Digidesign V8 instruments
-Digidesign Transfuser
-GVI With 80GB liberary
-McDSP SynthOne
-Access Virus TDM
-Access Virus+ TDM

Not pictured:

CAD M179 (5)
These mics sound amazing, are easy to position, and have very pleasing sound leakage.  As a sonic upgrade from the Sennheiser 421, the CAD M179 is much more equipped to handle large drumsets.

ConwaySound also offers a large collection of “service mics”  
(These are not jacks of all trades but great mics for specific applications.)
   -Sennheiser e200 Kick Drum mic - awesome on a floor tom
   -AT 25 kick mic - great on kick or bass cabinet 
   -Audio Technica small diaphragm condensers (2) bright mics that are 
     great in a drum room.
   -Oktava MC219 large diaphragm condensers (2)
   -Marshall 2001p large diaphragm condenser
   -Shure SM57’s
   -Various dynamic mics from AT and Samson (6)

Monitors
-Custom Beryllium Compression Driver constant directivity and cardioid
-Logitech computer speakers (for reference) 

Guitar
-Custom built Phaez stereo guitar head, all p2p wiring very versitile tube amp with 2 
  preamps and 2 power amps
-1x12 Cab with vintage Jensen AlNiCo driver
-Re-amp system (DI'd guitar can go to line level for recording, FX and layering and 
  back to multiple cabs/amps/settings/rooms)
-Alverez acoustic guitar
-Epiphone LP style electric guitar